NEW SERIES: CALL FOR PROPOSALS
Queer Performance: International Practices, Histories and Approaches
Queer Performance explores the myriad of practices, concepts and bodies platformed and cultivated by queer stages and cultures. It examines what queer performance is and what it has been; it re-imagines what queer performance can do and critically engages with what its futures might hold. Considering work on a diverse set of stages – from nightclubs to national platforms, art venues to the street – the series actively seeks to amplify voices that have historically had little, if any, opportunity to take space before.
While we welcome scholarly projects that explicitly explore queerness, we are equally open to projects on transness, nonbinariness and critiques of queer anti-normativity. Likewise, we recognise that queer is not a historical or cultural constant. Queerness feels differently across national, regional, and linguistic boundaries. We invite proposals that address what queerness embraces in its multiple localities as well as what it erases at a conceptual, cultural and artistic level.
The series features single-authored, co-authored, and edited scholarly volumes that may connect with, but are not limited to, the following themes and areas:
queer / trans archives and archiving
queer decolonial critique
queer / trans intersections with race, ethnicity, nation, migration and diaspora
First Nations, Native and Indigenous queer work
queerness / transness as creative methodologies
queer / trans performance histories and historiographies
drag in all its diversity and international locations
queerness and disability
trans performance and transness in performance
trans playwriting and performance making
performance work centring trans performers, stories and experiences
global and local queer / trans performance cultures
queer playwriting and performance making
queer / trans nightlife performance and dance cultures
queer plays on mainstages
musicality and queerness
queer live art
fatness and queerness
queer / trans design (lighting, sound, set and/or costume)
queerness / transness and affect
queer hauntings and hauntologies
HIV and AIDS in performance
contagion and viral dramaturgies
SERIES EDITORS:
Alyson Campbell
The University of Melbourne, Australia
Stephen Farrier
Rose Bruford College, UK
Rachel Hann
Northumbria University, UK
Enzo E. Vasquez Toral
University of Texas at Austin, USA